How Does Hosseini Tell the Story in Chapter 17? Essay

Chapter 17 is potentially the most important chapter in the figment for structuring the shape of the narrative and may be conn as the turning point in the novel. During this chapter, amir is handed a letter by Hassan writing most his son Sohrab and how life in Kabul has changed salientally since he and Baba fled to America. Rahim caravansary explains how Hassan and Farzana were killed by the Taliban and as his decease wish, Amir must go and rescue Sohrab. It is revealed that Baba is Hassans father, making him and Amir half brothers.Hosseini uses 3 various narrative voices in chapter 17 opposed to other chapters with just Amir narrating. This gives us a a lot more(prenominal) personal perspective into Hassans life, adds realism to the narrative and how corrupt Kabul has now become. curtly a young Talib ran over and hit her on the thighs with his wooden stick, contrasting hugely with Amir and Hassans childhood. Amirs usual retrospective first person narrative is present withal Hosseini also uses the present tense to make Hassans death more emotive as we rotter imagine it more vividly as a reader.Hassan slumps to the asphalt, his life of unrequited loyalty drifting from him care the windblown kites he used to chase. Not only is this quote used so we can see Hassan dying but it links the whole novel together by using the recurring theme of kites, linking back to chapter 7 when he chased the blue kite, and his unrequited loyalty is evident throughout the mass of the novel, Hassan never denied me anything.Although Hassans death is foreshadowed however in chapter 16, God help the Hazaras now, Hosseini creates suspense and dramatic tension towards Hassans death by giving Amir the letter first before uncover his death, giving Amir hope and making the reader assume his journey to redemption would soon be over. I dream that someday you will return to Kabul and re-visit the land of our childhood. If you do, you will find an previous(a) faithful friend waiti ng for you. This quote again creates a more dramatic and emotive receipt to Hassans death both from the reader and Amir after Hassans optimistic and promising letter. Hassans death is instrumental in shaping the narrative of the novel and is arguably the turning point as it forces Amir to seek his redemption and debt to Hassan to Sohrab. The reason Amir came to visit Pakistan in the first place was to beg off to Hassan and being the only person alive and able, Now everyone in that photo was either dead or dying.Except for me, Amir was the only one left to save Sohrab from the Taliban and Assef. Another key event in the chapter is the unveiling of Hassans true father, Baba. Amir reacts badly to the news and Hosseini portrays this using Westernised language to contrast with Rahim Khans traditional language. His anger is emphasised through the repetition of you goddamn bastards. This contrasts with the earlier chapters in the novel where Amir always speaks to Rahim Khan politely and with respect and could represent the influence America has had on him.decision out that Hassan and he were half-brothers also makes his decision to save Sohrab even more crucial and makes the reader more anxious to see whether or not he will betray Hassan again or pull through himself. His decision to save Sohrab is foreshadowed in chapter 14 when General Tahiri says blood is a powerful thing, bachem, never immerse that suggesting that the bond of blood and brotherhood is so strong, Amir must save Sohrab, his own blood relation back in order to fully complete his journey to redemption and atone for his sins.